If this is what disposable modern horror is going to look like, I'll take the classical frights of The Woman in Black over the herky-jerky hokum of The Devil Inside any day.. The director uses time-honored techniques to keep you on edge, every one of which graced Hammer films of yore. But happily for the picture, there's a reason they're time-honored.. Working on terrific sets with imaginative lighting effects and cinematography, Marshall creates a palpable sense of claustrophobia and danger we...
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