Absolutely one of the greatest, most cringe-worthy movies I've ever seen.. Tonderai steers the story cleanly around its queasy hairpin turns, perversely toying with one of pop cinema's most cherished cliches: the audience's inculcated desire to side with the underdog.. What could be so bad about a new Jennifer Lawrence movie that its distributor opts to keep it away from critics and release it with minimal ad support? Please, allow "House at the End of the Street" to answer that question.. Music...
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